Coches Prietos Anchorage

18×36″ oil on canvas

Coches is a harbor on the west end of Santa Cruz Island that could awaken the inner pirate in anybody. The tide was low when I visited so I walked out to the point and caught this view looking back towards the sheltered beach. No sailboats were out that day but I had to throw one in thinking about what a timeless place this would be to sail into, pretending you were a lost explorer on an uncharted coast.

Coches Prietos from Above

18×24″ oil on canvas

The road down to Coches, a crazy drive on a dry hard packed day was a little too risky after the storm so we painted from above. Such incredible beauty with a variety of chaparral greens sprouting amongst the oranges and reds of the iron rich soil. The sun played peek-a-boo with the overcast haze. I finished in time to run down to the beach to explore the point and take a quick swim in the turquoise water. A few large turban and abalone shells rested on an expanse of sand marked only with fox prints…

Work in progress…

Spring Flow–San Ysidro

Spring Flow–San Ysidro– Oil on Linen– 16×20″ (Available)

I love views where I can see the water in the creek twisting and turning on the path back home to mother ocean. The sun was getting low this afternoon causing that play of light and shadow that I enjoy so much when I’m painting. The canvas almost blew away on this one as the winds whipped up the canyon, but my reflexes dropped my brush to grab the easel.

In progress…

I had scoped out the site the day before hiking with my daughter. I’ve been forgetful lately and didn’t bring a panel, but she kindly tore a page out of her sketchbook for me to paint on…

Sandstone Spyglass

18×36″ oil on linen– (available)

Some of the distant rocks that make up the bones of our local mountains turn out to be striking monoliths when you encounter them close up, abstractly sculpted by wind and rain and roots and time. What is the hole? Is it a window, a keyhole, a peephole, an eye, a passage, a feature in a pirate’s map, an ancient observatory, a sundial, a blue circle, a sky pizza, a frame for a hawk, a lizard’s flytrap, a bird’s playground? This one had at least a dozen possible titles but I’m a sucker for alliteration.

More Backpacking Paintings

Before the HailStorm– gouache on paper

Here are a couple of more moody paintings of lakes from my backpacking trip last week in the high eastern Sierras. It rained every day. It was also sunny every day. Often both were happening at the same time. Under the changing skies I saw wildflowers, bighorn sheep, lightning flashes and felt a flood of memories as the mountain smells were intensified by the rain.

Purple Mountains, Rumbling Clouds– gouache on paper
Racing the clouds…

Life After Death–Hoh Rainforest

16×20″ oil on linen panel

This fallen spruce tree has become a landscape in itself as the forest reclaims it and it’s decomposition feeds ferns and mosses, beetles and butterflies and even young trees seeding in its layers of life. If you want to experience life after death, check out the rainforest. Here plants grow out of plants and embrace trees and rotting wood like sprouting verdant carpet. Since almost all the organic material is in the canopy rather than in the soil in a rainforest, a dead tree fall means the start of a new fountain of living greenery. It rained the day before we got here, but we got to see the rainforest in sunlight!

Portrait of Santa Barbara

24×36″ oil on linen panel– $3200

What a cool little town! Here’s Santa Barbara resting at the base of its chaparral mountains that smell of bay and sage, with it’s red-tiled roofs and sunny gardens and the peaceful blue ocean protected by the Channel Islands. I tried to paint her portrait from an angle that accentuates her best features.

The Sunny Side of State Street

16×20″ oil on linen (Available)

I set up my easel downtown a couple of days ago to paint the light and shadows and activity on State Street. It was a painting sprint: an experience in painting fleeting moments as people breeze by and the shadows lengthen every minute. Just as you start to get focused and absorbed in detail a person walking by will strike up a conversation, which is good for the art… it keeps you painting only what is essential before it is gone. At one point a crowd marched by in support of the people of Ukraine and protesting the Russian invasion. It is good to see people raising their voices and walking together in solidarity against this madness and senseless violence.