Portrait of Santa Barbara

24×36″ oil on linen panel– $3200

What a cool little town! Here’s Santa Barbara resting at the base of its chaparral mountains that smell of bay and sage, with it’s red-tiled roofs and sunny gardens and the peaceful blue ocean protected by the Channel Islands. I tried to paint her portrait from an angle that accentuates her best features.

Morning Glow

36×48″ oil on canvas

I’ve been running at Lake Los Carneros many mornings this year, watching how the rising sun makes our local mountains blush.

It has been a wonderful winter for clouds this year, hasn’t it? Hopefully we can coax some more water out of them before the dry season.

Looking on the Bright Side

12×24″ –oil on canvas

So this is from healthy pots of succulents and imagination… no ceramics were injured in the making of this painting. I have had an idea to paint a crushed terra cotta pot, but with its inhabitants finding a way to thrive in the new situation. I find that sometimes titles are hard to pin on a painting, but for this one the metaphors were waiting in line in my imagination as I laid down the paint. “Catastrophe and Opportunity,” “Fragile Planet,” “Microclimate,” “Heroic Voyage,” “Hatched,” “Branching Out.” You get the idea… I let “Looking on the Bright Side” rise to the top.

Winter Skies at the Beach

Hendry’s Cloudcover– 12×24″ oil on stretched linen

This is that special kind of overcast where the ceiling of clouds is full of tatters and holes that light keeps leaking through. You get the grey reflective mood of a cloudy day with occasional dazzling spotlights of sunny day sneaking in. The top painting was a nice morning at Hendry’s beach last week and the one below was made that same afternoon out walking at low tide at Ellwood. It’s a beautiful world out there…

Sea, Sky and a Soon-to-be Obsolete Energy Source– 6×8″ oil on panel

Ellwood Seasons

12×24″ oil on linen– Thanks to the rains yesterday, this will be the last painting of the bluffs with the late summer, early autumn color palette. We’ll be moving into the greens and yellows of wild mustard and grasses. I appreciate both seasons– they both have their own beauty, colored by the memories we tie to a place we know well.

Sierra Backpacking Paintings: Part 1

There is a place in Mammoth that is really special to my family and growing up in Tahoe, I’ve always wondered what it would be like to walk there. A couple weeks ago I finally connected those dots, leaving a 180 mile trail from my parents’ backyard to our favorite camping spot. I was hiking long days, but still managed to make a gouache painting each day. I had fun crossing paths with the main bubble of northbound PCT hikers floating on the trail on their way up to Canada… one of these days I want to hike and paint that whole journey!

Garrapata Atmosphere

18×24″ oil on linen– What I love about the Big Sur coast is how much edge there is. The fractal canyons and bays and multitude of islands make for an enchanted scene. There are so many folds for the ocean to peak into, for light to cling to and to hide secret shady coves. We got here just in time to catch those transparent cliff shadows still extending into the sea.

Big Sur Impressions

18×24″ oil on linen

This is painting paradise for me. It is actually so beautiful it is dangerous… big cliffs and unbelievable views combined. My knee is all skinned up from walking around on wet rocks with my eyes up on the view. The design possibilities are endless here… every few feet I want to start a new canvas.

Clouds Parting–Stearn’s Wharf

12×24″ oil on panel– The city was washed clean and sparkling after the last storm. Out on the wharf was a great place to take it all in. A magnificent rainbow appeared and I was tempted to paint it in, but usually paintings of rainbows look about as convincing as paintings of unicorns. I went with the unicorn instead– can you see him hiding behind the palm tree?