Rolling Green Hills— Sedgwick Preserve

12×24” oil on canvas— The nice gentle rains so far have been so good for saturating the landscape, sprouting the fire scars and letting the outdoor painters open the tubes of their most vibrant greens.  You can tell by this old oak that lichens are likin’ it too.

Painting at it’s Purest

This is a small 6×8″ oil sketch I made on New Years eve hiking with my family.  We went to a place that out of cultural respect and a sense of conservation I won’t name.  I have several times painted or sketched at rock art sites and always feel a sense of awe and wonder admiring the art of these native Californians.  I love seeing the mortars nearby where the artists ground their pigments and it is always a longing and stretch of the imagination to travel back in time and picture them being made and to try to understand their meanings.

Ultralight Super Portable Oil Painting Kit

I’ve got just the thing for fellow hiker artists who like to wander with very little weight and then pull out their oils and make a quick little haiku oil sketch.  At under five pounds for the whole set-up, it even offers protection for the wet painting on the hike down.  I’m really happy with this portable thumb box I built out of an old wooden palette.  It eliminates the need for an easel and can hold two wet paintings for a full day of exploring and artmaking.  I haven’t ventured too far with it… yet…  but here you can see some of the small 6×6″ paintings that I’ve made so far with it.  

Magic Hour at Devereux Point

30×42″ oil on canvas– This was a commission for a friendly, adventurous family who wanted to take home a piece of Goleta.  I was excited when they chose this spot– it is really special to our family as well.  I wanted to capture the magic hour, that short sweet time of shifting colors that happens in the few moments before the sun drops over the horizon.  This was a big studio painting that I made from a small plein air painting that you can see below.  Happy Thanksgiving everyone!  I’m grateful to all of you for sharing my art adventures with me.  

Wet Sand and Salt Air– El Refugio Point

 36×48″– oil on canvas–  This is the painting that emerged from the sketches I posted in my last post.   When you paint a canvas this large or larger, it really feels like you can step right inside and inhabit the scene.  I was trying to recreate the feeling of walking up our coastline in this beautiful season when the sun is starting to set over the water again and the tides are starting to pull the sand from the rocks underneath.  

Value Sketches and Color Studies

I thought I’d share a few glimpses of my process for making a large studio painting.  I’m working on a big 3’x4′ image of the coast looking northwest towards El Refugio State beach.  Sometimes I fight things out on the canvas, but for large images I’ve found that investing a little time in some loose, quick sketches like these helps make the painting go smoother.  I’m focused at this stage on getting a strong design that reads well an abstract level and a color key that feels like the mood I’m trying to convey.  Isn’t it fascinating how different the feel is when you try to visually step into each little thumbnail below?  Color is magical that way.

This spring I’ll be offering another workshop for people who would like to learn the process of making paintings from start to finish.  

What the Egret Knows

12×36″ oil on canvas– What the egret knows is that this is the place to be when the sun is sinking low in the west.  Mountain views, beautiful reflections, interesting trees– what more could you ask for.  The one in the distance posed for quite a while in the shallows as she waited to snag a frog or fish for dinner.