18×24″ oil on linen– What I love about the Big Sur coast is how much edge there is. The fractal canyons and bays and multitude of islands make for an enchanted scene. There are so many folds for the ocean to peak into, for light to cling to and to hide secret shady coves. We got here just in time to catch those transparent cliff shadows still extending into the sea.
6×8″ oil on panel– Here are a couple of recent studies up local creeks…. I’m hoping to see some rain in the forecast to fill them up a little more this winter. Community rain dance, anyone?
12×24″ oil on panel– The city was washed clean and sparkling after the last storm. Out on the wharf was a great place to take it all in. A magnificent rainbow appeared and I was tempted to paint it in, but usually paintings of rainbows look about as convincing as paintings of unicorns. I went with the unicorn instead– can you see him hiding behind the palm tree?
Sandstone outcroppings and Coast Live Oaks… I’ve been spending several afternoons painting in oak forests the last couple of weeks. The acorns are ripening and the squirrels, scrubjays and a deer were all inspecting their progress as I was painting.
When Lauren and I were first married we used to spend most of a day walking from the distant eucalyptus groves, out over the bluffs, around the slough, through IV and UCSB, down the bike trail, out on More Mesa, through the horse trails in Hope Ranch, through westside and finally downtown. There we’d sit our tired legs down at a cafe, eat a big meal and take the bus all the way back home. It was our favorite date… so simple but so full of interesting people watching, nature exploration and places to appreciate the many sides of our town.
12×24″ oil on panel– From this perch on Ortega Hill, you can see three points jutting out to the north. In the foreground Fernald Point encloses Shark Cove, which I’ve heard is named because in the mid 1800’s they used to butcher cattle nearby and then toss the remnants to the sea. Behind that is Hammond’s Point in the mid ground and way back there is Ledbetter Point at the far end of the Santa Barbara Harbor. For a painter, it’s a great lesson in atmospheric perspective, seeing the colors and contrast cool and fade as they fall into the distance.
8×10″ oil on canvas– The water is still flowing beautifully through our local canyons and the salamanders and frogs are going strong despite the wildfires and floods last year. When the weather gets warm most people head to the beach. There is always also a nice breeze and some cool pools up a canyon.
15×30″ oil on linen– So nice to watch the glimmer on the water as the sun rises over our fair seaside town on a morning between the fog cycles… The kids are out for summer and it won’t be long before the last of the June Gloom evaporates and these beaches are full of people playing in the surf.
The pencil is there for scale. The crack in the sidewalk reminded me of what they say– that when you find a fault, you shouldn’t dwell on it. But here we are dwelling in earthquake country and quite happy about it. I had fun backpacking Memorial Day weekend with a fun group, several of whom are geologists and point out really cool things about the shape of the land and the fossils hiding in plain sight. Here are a couple of watercolor and gouache sketches that I snuck in between the rains.
Garrapata Dawn– 8×16″ oil on panel– This was painted on a lovely Big Sur morning. This is by far one of the prettiest parts of the planet I’ve ever experienced. Late Afternoon Glimmer– 6×8″ oil on panel– This small study of light on the water was painted at Limekiln State Park where I slept in the overflow site, under the bridge at the edge of the sand listening to waves roll in all night and the rain falling at one point.