12×24″ oil on panel– From this perch on Ortega Hill, you can see three points jutting out to the north. In the foreground Fernald Point encloses Shark Cove, which I’ve heard is named because in the mid 1800’s they used to butcher cattle nearby and then toss the remnants to the sea. Behind that is Hammond’s Point in the mid ground and way back there is Ledbetter Point at the far end of the Santa Barbara Harbor. For a painter, it’s a great lesson in atmospheric perspective, seeing the colors and contrast cool and fade as they fall into the distance.
15×30″ oil on linen– So nice to watch the glimmer on the water as the sun rises over our fair seaside town on a morning between the fog cycles… The kids are out for summer and it won’t be long before the last of the June Gloom evaporates and these beaches are full of people playing in the surf.
8×16″ oil on panel– A sweet morning view from the top of Elings Park watching the sun burn off the morning mist…
6×6″ oil on canvas– The supermoon last week brought some of the lowest tides of the year. It is great to see healthy anenomes and sea stars in their underwater homes. I took the miniature painting kit out to make this sketch out at Hendry’s last week.
15×30″ oil on canvas– Available now! Spacious ocean-side home with unrivaled ocean views in Goleta, the good land. Open floor plan is airy and welcoming with plenty of natural light. Sustainable architectural design uses reclaimed timbers throughout. Exquisite natural landscaping by world-renowned designer Mother Nature. Fantastic curb appeal! (What’s more appealing than no curb at all?) Also notice the quaint heating and lighting system based on age-old technologies that are making a comeback. Experience to the ultimate in simple living…
15×30″ Oil on Canvas Panel– The weather has been perfect for heading to the beach lately once the morning marine layer evaporates off… When the grey clears today I bet it will find hundreds of people off work for the Fourth of July playing in the waves.
20×48″ oil on Canvas– I loved the patterns of sparkling lights that the sun was making on the glassy ocean the day I painted this commission of the Ellwood Coast. The blue water was a nice foil for the reds and oranges in the winter iceplant hanging over the cliffs.
I have been playing with watercolors recently. I can make a study of a painting in a fraction of the time it takes to make an oil painting, so it gives me a great way to explore compositions and experiment with design ideas. It has been a great way to get out my creative energy when I don’t want to commit to a whole canvas.
Fellow artists might enjoy this way of making an inexpensive watercolor sketchbook. I cut a bunch of paper types that I like working on and took them to the copy shop to have them spiral bound. I mask the frame with painters tape so it leaves clean edges when I pull it away.
You can see on these first two that I often make a pencil sketch before I start painting to figure out the design and value patterns before I begin splashing color. I used to paint with watercolor a lot when I was in high school, but haven’t used it much since. It is fun to rediscover and I think that doing these is going to help me discover new ideas for my oils.