8×16″ oil on linen panel– Spent some time painting on the back patio last week painting succulents… I love their color, variety and design. Like all still lives, they hold still. They give me the opportunity to play with my paint handling and brushwork and to explore ways of simplifying and stylizing their complexity.
I’m was out in the garden painting in my sketchbook with gouache today. That is my go-to medium when I don’t have a lot of time and just feel like drawing and moving some colors around. It is portable, cheap, versatile and fun to use. Working on paper without the commitment of a canvas, I find myself taking more chances and trying out compositions or subjects that I would otherwise shy away from. Here are a couple of recent gouache studies…
All paintings are 9×12″ oil on panel– Here are a few of the places I’ve been setting up the easel lately. Whether I’m on the fragrant path in the eucalyptus grove, on the cliffs looking at the precarious and fun hanging college apartments in Isla Vista or painting the gardens at San Ysidro Ranch, the light is always the main subject of a painting. I continue to grow more and more fascinated with the quality and colors of light and the visual and emotional effects they have on a scene.
These paintings are from the UC Reserve on the west end of Santa Cruz Island. Going to the islands is like going back in time 150 years and seeing what the California coastline looked like before development. The tide pools were full of diversity and life and we got to see the shenanigans of a few Channel Island Foxes and Scrub Jays.
The variety of colors and textures of the rock formations that make up the band of islands make me wish I’d taken geology classes when I was in school. Dry coriopsis flowers dot the hillsides— I’d love to see the blooms in early spring!
I’m doing a painting demo at the Wilding Museum in Solvang this Sunday from 11-2. I’ll be showing how to develop a painting from a sketch using oils. Come on by and chat for a bit!
When Lauren and I were first dating I asked her what would be the ultimate painting that I could make for her. She said she’d love the view when you are laying on your back looking up into a tree watching the ways the light filters through the stained-glass leaves and the layers of depth. Wow, I thought, that’s a tough one… I’ve been trying ever since and I’m getting closer to the vision. Only in her mind it is a Sycamore Tree and this is an oak, so I’ll keep dancing around this theme.
I thought it would be fun to create a kaleidoscopic image from this painting… would make a good Grateful Dead album cover wouldn’t it?
This is the season when the dried straw on the bluffs has lost its green and instead has that golden glow when the sun gets low in the sky. I painted here at dawn a couple months ago and it was such a different palette, with mustard flowers and tall green grasses.
I’m teaching landscape painting to my students this week and as I look around at what they are creating, I’m struck by the fact that arrangements of light and colors have emotional tones to them. I guess other senses do this too. For example, smell is said to be the sense that links most closely to memory and that’s why certain smells can transport you back to your childhood. I think that certain qualities of light and color are similarly evocative, connecting us back to past moods.
State Street Stroll– 16×20″ oil on linen– It turns out that streets are much nicer without cars on them. Since the pandemic pushed the restaurants and cafes out into the lanes feet and bikes are the only mode of transportation down State. We learned to slow down last year in so many ways. As the speed and busyness of life is ramping up, I hope we hold on to our inner and outer pedestrian mindset.
Hi Everyone! This Sunday is a casual Open Studio from 10am -3pm in my backyard studio at 1128 Via Regina. I’ll have my paintings out and arranged by size and would love to chat and share my work with anyone who wants to come by! If anyone is interested in a belated Mother’s Day gift, I’m throwing in a free 6×8″ painting with any purchase over $500.
I saw an auspicious friendly rattlesnake as I hiked Rattlesnake Canyon for this view a week ago. The summer is going to be dry, but the water is still flowing, at least in some parts of the creek. It is a challenge to catch the changing light in a dappled situation. Look at the two images below to see how quickly the light and shadow parts of a scene like this can swap places. It’s comparable to painting a portrait of people playing musical chairs. I made the small sketch you can see at the top of the easel to remember where I wanted the shadows to be.
18×24″ oil on linen– This was painted as the edge of morning advanced last shadow edges of evening, from the edge of the cliffs on the edge of Spring. I was thinking of edges in my painting, both crisp and defined and soft and atmospheric as I made it. On edges there is excitement–a little danger perhaps– and the view is always better.